

Neri Oxman: Material Ecology, , 9781633451056
US $27.99
ApproximatelyAU $43.84
Condition:
Very good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections.
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eBay item number:197169944968
Item specifics
- Condition
- ISBN
- 9781633451056
About this product
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
1633451054
ISBN-13
9781633451056
eBay Product ID (ePID)
15038540615
Product Key Features
Book Title
Neri Oxman: Mediated Matter
Number of Pages
192 Pages
Language
English
Publication Year
2020
Topic
Collections, Catalogs, Exhibitions / General, General
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
29.7 Oz
Item Length
11.9 in
Item Width
9.6 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
The exhibition showcases the materials (chitin from the shells of crustaceans, melanin from horse hair) and processes (3D printing, silkworm weaving) that could one day be incorporated in the practices of architects and designers. In keeping with her devotion to natural processes, no object in the exhibition is constructed from parts--each is grown as a single object., The exhibition showcases the materials (chitin from the shells of crustaceans, melanin from horse hair) and processes (3D printing, silkworm weaving) that could one day be incorporated in the practices of architects and designers. In keeping with her devotion to natural processes, no object in the exhibition is constructed from parts each is grown as a single object., Material Ecology itself is her brainchild, a new design approach devoted to reaching "a 'material singularity' where there will be little to no distinction between 'natural' and 'artificial.'", through the 'material ecology' methodology, oxman investigates natural processes, which constitute a new philosophy of designing and making -- and even unmaking -- the world around us, through the material ecology methodology, oxman investigates natural processes, which constitute a new philosophy of designing and making and even unmaking the world around us, Material Ecology itself is her brainchild, a new design approach devoted to reaching a material singularity where there will be little to no distinction between natural and artificial., A pioneer in materials, objects, and construction...Neri Oxman's work on display explores the intersection of the science of materials, digital fabrication, and organic design in pieces both extruded from and infused with the wisdom of nature., Oxman [...] works at the intersection of technology, biology and culture. At MoMA, the art perspective is at the forefront, but through projected process videos and displays of completed works and experiments Oxman showcases how the discipline of material ecology can be practically applied in different contexts., Oxman's work is often heady but seeing the evolution of her philosophy brings her interdisciplinary, interspecies approach into greater focus.
Dewey Decimal
745.4092
Synopsis
The first survey on the interdisciplinary biodesign genius of Neri Oxman, pioneer of "material ecology Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary--and interspecies--collaborations. She coined the term "material ecology" to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature, from the shells of crustaceans to the flow of human breathing. Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman's work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science. This book--designed by Irma Boom and published to accompany a midcareer retrospective of Oxman's work--highlights the interdisciplinary nature of the designer's practice. It demonstrates how Oxman's contributions allow us to question and redefine the idea of modernism--a concept in constant evolution--and of organic design. Some of the projects featured in the book and exhibition include the Silk Pavilion, which harnesses silkworms' ability to generate a 3-D cocoon out of a single thread silk in order to create architectural constructions; Aguahoja, a water-based fabrication platform that prints structures made out of different biopolymers; and Glass, an additive manufacturing technology for 3-D printing optically transparent glass structures at architectural dimensions. Israeli American architect, designer and inventor Neri Oxman (born 1976) is professor of media arts and sciences at the Massachusetts Institute of Technology's Media Lab. Her work is in the permanent collections of the Museum of Modern Art, New York, the Cooper Hewitt Design Museum, the San Francisco Museum of Modern Art and Boston's Museum of Fine Arts, among others., The first survey on the interdisciplinary biodesign genius of Neri Oxman, pioneer of "material ecology Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary and interspecies collaborations. She coined the term material ecology to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature, from the shells of crustaceans to the flow of human breathing. Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman s work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science. This book designed by Irma Boom and published to accompany a midcareer retrospective of Oxman s work highlights the interdisciplinary nature of the designer s practice. It demonstrates how Oxman s contributions allow us to question and redefine the idea of modernism a concept in constant evolution and of organic design. Some of the projects featured in the book and exhibition include the Silk Pavilion, which harnesses silkworms' ability to generate a 3-D cocoon out of a single thread silk in order to create architectural constructions; Aguahoja, a water-based fabrication platform that prints structures made out of different biopolymers; and Glass, an additive manufacturing technology for 3-D printing optically transparent glass structures at architectural dimensions. Israeli American architect, designer and inventor Neri Oxman (born 1976) is professor of media arts and sciences at the Massachusetts Institute of Technology s Media Lab. Her work is in the permanent collections of the Museum of Modern Art, New York, the Cooper Hewitt Design Museum, the San Francisco Museum of Modern Art and Boston s Museum of Fine Arts, among others., The first survey on the interdisciplinary biodesign genius of Neri Oxman, pioneer of "material ecology" Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary-and interspecies-collaborations. She coined the term "material ecology" to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature, from the shells of crustaceans to the flow of human breathing. Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman's work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science. This book-designed by Irma Boom and published to accompany a midcareer retrospective of Oxman's work-highlights the interdisciplinary nature of the designer's practice. It demonstrates how Oxman's contributions allow us to question and redefine the idea of modernism-a concept in constant evolution-and of organic design. Some of the projects featured in the book and exhibition include the Silk Pavilion, which harnesses silkworms' ability to generate a 3-D cocoon out of a single thread silk in order to create architectural constructions; Aguahoja, a water-based fabrication platform that prints structures made out of different biopolymers; and Glass, an additive manufacturing technology for 3-D printing optically transparent glass structures at architectural dimensions.
LC Classification Number
N8217.E28A58 2020
Item description from the seller
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- t***u (125)- Feedback left by buyer.Past 6 monthsVerified purchaseThe book was in excellent new condition, quality and appearance excellent as described, and packaged safely in a padded mailer very well. Seller shipped immediately and communication and payment transfer was excellent. Great eBayer!!! Price of book was very competitive. At++++ ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️The Education of Blacks in the South, 1860-1935, Anderson, James D., 97808078422 (#196951165483)
- l***l (781)- Feedback left by buyer.Past monthVerified purchaseOutstanding seller! Very fair price for this book that is more than reasonable in this economy. The book I received from this seller was in excellent condition and was just as described, a true value for my money. Packaged and shipped very well; this seller clearly has concern for the products they sell to arrive in stellar condition. Moreover, my item arrived on time. I highly recommend this seller and would do business again anytime. Thank you hpb-diamond!
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