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Manet, Flaubert, and the Emergence of Modernism Arden Reed 2003 Signed by Author

US $99.99
ApproximatelyAU $156.63
Condition:
Very good
“Light Wear to Dust Jacket...Signed by Author”
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eBay item number:404841134360
Last updated on 17 Jul, 2024 23:30:39 AESTView all revisionsView all revisions

Item specifics

Condition
Very good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“Light Wear to Dust Jacket...Signed by Author”
Features
Signed
Level
Advanced
ISBN
9780521815055

About this product

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521815053
ISBN-13
9780521815055
eBay Product ID (ePID)
2386411

Product Key Features

Number of Pages
372 Pages
Publication Name
Manet, Flaubert, and the Emergence of Modernism : Blurring Genre Boundaries
Language
English
Publication Year
2003
Subject
Individual Artists / General, European / French, Europe / France, General, Aesthetics
Type
Textbook
Author
Arden Reed
Subject Area
Literary Criticism, Art, Philosophy, History
Series
Cambridge Studies in New Art History and Criticism Ser.
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
36.4 Oz
Item Length
10 in
Item Width
7.3 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2002-031556
Reviews
"This volume is beautiful in its appearance and interesting in its creation of a dialogue between Manet's and Flaubert's dialogic techniques. Through the analysis and comparison of a Manet painting and two Flaubert stories, Reed revises Greenberg's theory of modernism, which claims that painting and literature aim each to expel the other. Rather, Reed argues that Manet and Flaubert allow text and image to converse in their works...Reed's study is admirablyi nformed by prvious work on Flaubert and Manet, by theory, and by works' historical and cultural contexts." - Dorothy Kelly, Boston University, 'Manet, Flaubert and the Emergence of Modernism: Blurring Genre Boundaries may be read as an exercise in deconstruction, but the emphasis put on art-historical contextualization makes it a brilliant example of what scholarship in visual culture ought to be today.' Image & Narrative, "...this book is a superbly executed 'thick description' of Manet's controversial salon painting Jeune dame en 1866, a work presented with palpable affection by Reed as key to the aesthetic debates of late nineteenth-century France." L'Esprit Createurs, '... valuable contribution to studies of how the two canonical 'fathers' of Modernism began to 'make it new'.' The Art Newspaper, '… valuable contribution to studies of how the two canonical 'fathers' of Modernism began to 'make it new'.' The Art Newspaper
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
700/.4112/0944
Table Of Content
1. Framing Manet and Flaubert; 2. In and around '1866': Paris, Coubert, the salon of 1868; 3. The stain of modernism; 4. Canvassing the Jeune dame; 5. Allegory of beholding; 6. Stained glass: graphing Saint Julien; 7. Domestic stains: graphing Félicité.
Synopsis
Manet, Flaubert and the Emergence of Modernism weaves together art history and literary criticism in a joint study of the canonical 'fathers' of modernism. In this work, Arden Reed contests the Greenbergian view that equates modernism with purity of formal means. Modernism, he argues, is a matter of genre bending, hybridization, as well as movements between text and image. Focusing on key works by Manet and Flaubert, Reed articulates a novel understanding of the cultural imagination of early modernism. He shows how Manet and Flaubert actively mix and contaminate their work: Flaubert with images, Manet with narration. Moreover, Reed extends the argument to the twentieth century, claiming we cannot understand twentieth century modernism so long as we remain locked within single disciplines., This study combines art history and literary criticism in a joint study of the canonical "fathers" of modernism. Arden Reed argues that modernism is a matter of genre blending, hybridization and movements between text and image. Focusing on key works, Reed reveals how Manet and Flaubert actively mix and contaminate their work- Flaubert with images, Manet with narration. Reed extends the argument to the twentieth century, claiming we cannot understand twentieth century modernism while remaining locked within single disciplines., Manet, Flaubert and the Emergence of Modernism weaves together art history and literary criticism in a joint study of the canonical 'fathers' of modernism. Focusing on the work of Manet and Flaubert, Arden Reed argues that modernism is a matter of genre bending, hybridization, as well as movements between text and image.
LC Classification Number
NX170 .R43 2003

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