Prince of the Poverty Line by Skyclad (CD, 1994)

obsessed-records-australia (13745)
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Gegründet wurden sie 1990 von dem früheren Sabbat-Sänger Martin Walkyier und dem Satan/Pariah-Gitarristen Steve Ramsey. Skyclad sind aber weiterhin mit neuer Besetzung aktiv und veröffentlichten von 1996 bis heute weitere acht Alben.

About this product

Product Identifiers

Record LabelNoise (USA)
UPC4050538275766
eBay Product ID (ePID)14050160044

Product Key Features

FormatCD
Release Year1994
GenreHeavy Metal
StyleProgressive Metal
ArtistSkyclad
Release TitlePrince of the Poverty Line

Additional Product Features

Number of Discs1
Country/Region of ManufactureUSA
Additional informationSkyclad: Martin Walkyier (vocals); Steve Ramsey (guitar, 12-string acoustic guitar); Dave Pugh (guitar); Cath Howell (violin, keyboards); Graeme English (bass); Keith Baxter (drums). One of Skyclad's strongest efforts, 1994's Prince of the Poverty Line saw Britain's leading (OK, only) pagan-thrash-folkers flying at maximum broom-warp thanks to the now symbiotic songwriting partnership between enigmatic vocalist Martin Walkyier and guitarist Steve Ramsey. No longer the stuff of questionable arrangements and clunky transitions (often the case on early efforts), album highlights such as the requisite energetic opener, "Civil War Dance," the violin-infused, metallic quasi-jig "Sins of Emission," and the stunning, even more fiddle-dependent power ballad "The One Piece Puzzle" all attain the highest creative caliber with unprecedentedly fluid proportions -- yet do so without breaking away from previously established Skyclad modes. So fluid and familiar, in fact, that it almost goes unnoticed that longtime violinist Fritha Jenkins had been replaced by one Catherine Howell (who would herself be gone within the year), or that these tracks were still, in essence, very odd, bizarre, and original. As usual, though, it's Walkyier's lyrics taking the cake in this regard. As has become an inimitable trademark over the years, his inscrutable tales of fantasy, feigned (or real) insanity, and even silly humor are spun into surprisingly topical and realistic dissertations, if one actually takes the time to dissect them. As for other mentionable moments, there's the added keyboard layers embellishing standout tracks "Cardboard City" and "Land of the Rising Slum," an unexpected choral backdrop contrasting nicely with the hard-charging "Gammadion Seed," and, with Ramsey and fellow six-stringer Dave Pugh holding court, there's not a wasteful guitar solo in sight. Simply put, one of Skyclad's best. ~ Eduardo Rivadavia

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