ReviewsPraise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "The matchless French crime novelist." --Adam Gopnik, The New Yorker "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "An astute observer of human nature, writing in a spare and vivid style." --Amor Towles "I never read contemporary fiction-with one exception: the works of Simenon." --T.S. Eliot "A writer as comfortable with reality as with fiction, with passion as with reason." --John Le Carré "One of the most important writers of our century." --Gabriel García Márquez "A favorite writer of mine." --Sigrid Nunez "A great writer of detail, of atmosphere." --Leïla Slimani "Feels incredibly modern...A great writer." --Ian Rankin "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville "Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London) "Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood "One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times "Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn." Stig Abell, The Sunday Times (London), Praise for Georges Simenon "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville, "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian (London) "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." -- André Gide "A supreme writer . . . unforgettable vividness." -- The Independent (London) "Superb . . . the most addictive of writers . . . a unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . marvellously readable--lucid, simple, absolutely in tune with the work he creates." --Muriel Spark "A novelist who entered his fictional world as it he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville, Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it."lle --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville "Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London) "Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood "One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times "Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell The Sunday Times (London)
Series Volume Number28
Synopsis"A writer as comfortable with reality as with fiction, with passion as with reason." --John Le Carré While on holiday, Inspector Maigret is drawn into the murder of a teenage girl and subsequent disappearance of her brother and must confront an evil that is hidden in plain sight During their holidays in Sables-d'Olonne, Maigret's wife is hospitalized with appendicitis and Maigret receives a strange note instructing him to visit a patient in another ward. To solve the mysterious case that has left a young woman dead and her brother missing, Maigret must give one of his best performances yet in a story laced with mood, class tension, and in the end, of course, justice., "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian While on holiday, Inspector Maigret is drawn into the murder of a teenage girl and subsequent disappearance of her brother and must confront an evil that is hidden in plain sight During their holidays in Sables-d'Olonne, Maigret's wife is hospitalized with appendicitis and Maigret receives a strange note instructing him to visit a patient in another ward. To solve the mysterious case that has left a young woman dead and her brother missing, Maigret must give one of his best performances yet in a story laced with mood, class tension, and in the end, of course, justice., At what point in the day could the note have been slipped into his pocket, his left breast pocket? It was an ordinary sheet of glazed squared paper, probably torn out of an exercise book. The words were written in pencil, in a regular handwriting that looked to him like a woman's. For pity's sake, ask to see the patient in room 15. There was no signature. Only those words.
LC Classification NumberPQ2637.I53