Norton Critical Editions Ser.: Macbeth by Robert S. Miola and William Shakespeare (2003, Trade Paperback)

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You are purchasing a Good copy of 'Macbeth (Norton Critical Editions)'. Condition Notes: Book is in good condition. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend or curve to it.

About this product

Product Identifiers

PublisherNorton & Company, Incorporated, w. w.
ISBN-100393977862
ISBN-139780393977868
eBay Product ID (ePID)2547090

Product Key Features

Number of Pages416 Pages
LanguageEnglish
Publication NameMacbeth
Publication Year2003
SubjectShakespeare, European / English, Irish, Scottish, Welsh
TypeTextbook
AuthorRobert S. Miola, William Shakespeare
Subject AreaLiterary Criticism, Drama
SeriesNorton Critical Editions Ser.
FormatTrade Paperback

Dimensions

Item Height0.9 in
Item Weight14.1 Oz
Item Length8.4 in
Item Width5.1 in

Additional Product Features

Intended AudienceCollege Audience
LCCN2003-060994
Dewey Edition23
Series Volume Number0
IllustratedYes
Dewey Decimal741.5/973
SynopsisA rich "Sources and Contexts" section provides readers with an understanding of Macbeth's origins from earlier texts, specifically the works of the Roman playwright Seneca, the Tudor historian Raphael Holinshed, and a medieval drama The Slaughter of the Holy Innocents and the Death of Herod. The contexts for the play include contemporary debates on predestination vs. free will (Martin Luther vs. Erasmus), witchcraft as fiction or fact (Reginald Scot vs. King James I), the ethics of regicide (an Elizabethan homily vs. Juan de Mariana, S.J.), and a treatise on equivocation (Henry Garnet, S.J.). This edition also features adaptations--Davenant's moralistic Macbeth, some travesties, and Welcome Msomi's recent South African retelling, uMabatha. Seventeen carefully chosen essays represent four hundred years of critical and theatrical interpretations, from the early observations of Simon Forman and Samuel Johnson to the Romantic readings of Samuel Taylor Coleridge, William Hazlitt, and Thomas De Quincey, to recent essays by Janet Adelman and Stephen Orgel. Sarah Siddons and Derek Jacobi remember performing Macbeth, and Peter Holland surveys film interpretations. A Selected Bibliography is also included., A rich "Sources and Contexts" section provides readers with an understanding of Macbeth 's origins from earlier texts, specifically the works of the Roman playwright Seneca, the Tudor historian Raphael Holinshed, and a medieval drama The Slaughter of the Holy Innocents and the Death of Herod . The contexts for the play include contemporary debates on predestination vs. free will (Martin Luther vs. Erasmus), witchcraft as fiction or fact (Reginald Scot vs. King James I), the ethics of regicide (an Elizabethan homily vs. Juan de Mariana, S.J.), and a treatise on equivocation (Henry Garnet, S.J.). This edition also features adaptations--Davenant's moralistic Macbeth , some travesties, and Welcome Msomi's recent South African retelling, uMabatha . Seventeen carefully chosen essays represent four hundred years of critical and theatrical interpretations, from the early observations of Simon Forman and Samuel Johnson to the Romantic readings of Samuel Taylor Coleridge, William Hazlitt, and Thomas De Quincey, to recent essays by Janet Adelman and Stephen Orgel. Sarah Siddons and Derek Jacobi remember performing Macbeth , and Peter Holland surveys film interpretations. A Selected Bibliography is also included., Seventeen carefully chosen essays represent four hundred years of critical and theatrical interpretations, from the early observations of Simon Forman and Samuel Johnson to the Romantic readings of Samuel Taylor Coleridge, William Hazlitt, and Thomas De Quincey, to recent essays by Janet Adelman and Stephen Orgel. Sarah Siddons and Derek Jacobi remember performing Macbeth , and Peter Holland surveys film interpretations. A Selected Bibliography is also included., The Norton Critical Edition of Macbeth, Shakespeare's terrifying depiction of a man and woman's fall into evil, derives from the First Folio (1623), the only authoritative text of the play. The edition includes an introduction, annotations, and textual notes.
LC Classification NumberPR2976

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