Norton Critical Editions Ser.: Richard III: Norton Critical Editions by William Shakespeare (2008, Trade Paperback)

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Richard III: A Norton Critical Edition by Shakespeare, William Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less

About this product

Product Identifiers

PublisherNorton & Company, Incorporated, w. w.
ISBN-100393929590
ISBN-139780393929591
eBay Product ID (ePID)63880655

Product Key Features

Number of Pages448 Pages
LanguageEnglish
Publication NameRichard III: Norton Critical Editions
Publication Year2008
SubjectShakespeare, European / English, Irish, Scottish, Welsh
TypeTextbook
Subject AreaDrama
AuthorWilliam Shakespeare
SeriesNorton Critical Editions Ser.
FormatTrade Paperback

Dimensions

Item Height0.1 in
Item Weight13.5 Oz
Item Length0.8 in
Item Width0.5 in

Additional Product Features

Intended AudienceCollege Audience
LCCN2008-042459
Dewey Edition22
Series Volume Number0
IllustratedYes
Dewey Decimal822.3/3
Edition DescriptionCritical
SynopsisIn The Tragedy of King Richard III, Shakespeare chronicles the rise and fall of one of history's most repellent, and the theater's most mesmerizing, figures., This Norton Critical Edition of Richard III is based on the First Quarto (1597) edition of the play with interpolations from the First Folio (1623). The play is accompanied by a preface, explanatory annotations, A Note on the Text, a list of Textual Variants, and eighteen illustrations of seminal scenes from major dramatic productions and film versions of the play. "Contexts" provides readers with the sources and analogues that informed Shakespeare's composition of Richard III. These include excerpts from Robert Fabyan's New Chronicles of England and France, Thomas More's The History of King Richard III, Edward Hall's The Union of the Two Noble and Illustre Families of Lancaster and York, A Mirror for Magistrates, and The True Tragedy of Richard III. A selection from Colley Cibber's eighteenth-century adaptation records the compromised form in which Richard III held the stage for approximately two hundred years before twentieth-century editors brought it back into recognizable shape. A representative selection of commentary on stage and film reproductions of Richard III is also provided, ranging from reviews of nineteenth-century productions by William Hazlitt and George Bernard Shaw, a survey of stage performances by Scott Colley, and in-depth analyses of twentieth-century film adaptations by Saskia Kossak, Barbara Hodgdon, and Peter S. Donaldson. "Criticism" collects eight major pieces of scholarship, including early accounts of the play's major themes by William Richardson and Edward Dowden, modern critical assessments by Wilbur Sanders, Elihu Pearlman, Linda Charnes, Katherine Maus, and Ian Moulton, and an essay by Harry Berger Jr. especially commissioned for this volume. A Selected Bibliography is also included., This Norton Critical Edition of Richard III is based on the First Quarto (1597) edition of the play with interpolations from the First Folio (1623). The play is accompanied by a preface, explanatory annotations, A Note on the Text, a list of Textual Variants, and eighteen illustrations of seminal scenes from major dramatic productions and film versions of the play. "Contexts" provides readers with the sources and analogues that informed Shakespeare's composition of Richard III . These include excerpts from Robert Fabyan's New Chronicles of England and France , Thomas More's The History of King Richard III , Edward Hall's The Union of the Two Noble and Illustre Families of Lancaster and York , A Mirror for Magistrates , and The True Tragedy of Richard III . A selection from Colley Cibber's eighteenth-century adaptation records the compromised form in which Richard III held the stage for approximately two hundred years before twentieth-century editors brought it back into recognizable shape. A representative selection of commentary on stage and film reproductions of Richard III is also provided, ranging from reviews of nineteenth-century productions by William Hazlitt and George Bernard Shaw, a survey of stage performances by Scott Colley, and in-depth analyses of twentieth-century film adaptations by Saskia Kossak, Barbara Hodgdon, and Peter S. Donaldson. "Criticism" collects eight major pieces of scholarship, including early accounts of the play's major themes by William Richardson and Edward Dowden, modern critical assessments by Wilbur Sanders, Elihu Pearlman, Linda Charnes, Katherine Maus, and Ian Moulton, and an essay by Harry Berger Jr. especially commissioned for this volume. A Selected Bibliography is also included., "Contexts" provides readers with the sources and analogues that informed Shakespeare's composition of Richard III . These include excerpts from Robert Fabyan's New Chronicles of England and France , Thomas More's The History of King Richard III , Edward Hall's The Union of the Two Noble and Illustre Families of Lancaster and York , A Mirror for Magistrates , and The True Tragedy of Richard III . A selection from Colley Cibber's eighteenth-century adaptation records the compromised form in which Richard III held the stage for approximately two hundred years before twentieth-century editors brought it back into recognizable shape. A representative selection of commentary on stage and film reproductions of Richard III is also provided, ranging from reviews of nineteenth-century productions by William Hazlitt and George Bernard Shaw, a survey of stage performances by Scott Colley, and in-depth analyses of twentieth-century film adaptations by Saskia Kossak, Barbara Hodgdon, and Peter S. Donaldson. "Criticism" collects eight major pieces of scholarship, including early accounts of the play's major themes by William Richardson and Edward Dowden, modern critical assessments by Wilbur Sanders, Elihu Pearlman, Linda Charnes, Katherine Maus, and Ian Moulton, and an essay by Harry Berger Jr. especially commissioned for this volume. A Selected Bibliography is also included.
LC Classification NumberPR2821

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